Josie wants a second chance at being young, which is understandable and already a little dishonest. The paper wants the disguise, which is worse. The teacher who draws close to a student, even one who is secretly grown, is the film's idea of a happy ending and this house's idea of a category error. The classroom is not a dating pool. Her brother's kindness to the actual boys is the part that knows what a school is for.

You can skip it. If it is already a fond memory, retire the fondness for that pairing. Keep, if anything, the embarrassment of having been cruel at seventeen, and the decision not to repeat it.