Film · Prime Video · 2014
Interstellar
The errand is real. The leaving is the wound. Watch it, and do not let the science excuse the absence.
Cooper is a pilot turned farmer in a world that has started to lie to itself about the harvest. The film is on the side of the harvest and the truth about it, which is right, and on the side of a mission that costs a childhood, which it tries to pay back with physics and a father's voice across time. Love is asked to do work in the universe. Maybe it does. The thing a house can use without a lecture is smaller: a girl who needed him in the room, and a culture that told farmers to stop telling the truth.
It is long, loud, and often magnificent. Let a teenager see it. Then ask whether saving everyone is a sentence you say when you do not want to stay for dinner. Sometimes it is literally true. Count those times. They are few.
The eight
Industry
9/10
Farming, engineering, a mission with a job description.
Household
6/10
A father and a daughter. The bond is the film and the injury.
Piety
5/10
Awe, and a temptation to make love into a force field.
Courage
8/10
He goes. She endures the going.
Republic
7/10
A public that is lying about its food.
Temperance
5/10
Grandeur is the diet.
Truth
8/10
The school that denies the moon landing is the villainous mood.
Stewardship
7/10
It hands on a hard trade, and you must not romanticize the trade.
Live historicallyIf you must go far, leave the child a true account, not a myth.