Film · Prime Video · 2017
Coco
Keep it. Remember the dead by name. Ambition that erases a family is the villain.
Miguel's hunger for a song is not the sin. The sin, in the story he uncovers, is leaving a child for a stage and letting the story be rewritten. The film's afterlife is folk theology, brightly made, and a house that believes differently should say what it believes rather than panic at the marigolds. The usable truth does not depend on the metaphysics. The dead are kept by memory that is specific. A picture on an ofrenda is not a brand. It is a person.
Watch it, and let the last song be about the great-grandmother, not about fame. If a child only wants the skeleton, you have not finished the movie.
The eight
Industry
7/10
Shoemaking is honored. Music is work too.
Household
9/10
The whole plot is a family remembering.
Piety
6/10
An honor of the dead that a Christian house can respect and also locate.
Courage
7/10
He risks the crossing for a name.
Republic
5/10
A family ban is a kind of law, and it is revised by the truth.
Temperance
6/10
Fame is refused as the highest good.
Truth
9/10
The hidden crime is a theft of memory and of songs.
Stewardship
9/10
It hands on the duty to say their names.
Live historicallySay the full name of one person your house does not talk about, kindly.