Woody's sin is ordinary and adult: he was first, and he thinks first is a right. Buzz's confusion is comic until it is sad. The film refuses both the cruelty of the replaced and the narcissism of the new. Sid's house is a genuine fear, and the escape is friendship, not a product speech. Andy's name on the foot is a picture of belonging that is particular. You are not loved in general. You are loved by name.

Put it on. When Woody says the true thing on the moving truck's running board, that is the line to keep. A friend is not a rank.