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Movie · Netflix · 1996

Matilda

A child who ought to be protected, and mostly protects herself. The book is the good. The revenge is the extra.

Matilda is a true picture of a child failed by her parents and a false picture of what she should do about the headmistress. The library is the honorable part. The telekinetic revenge is the part a child will practice in imagination. Watch it with an older child if you watch it, and separate the two. Being unseen at home is a real wound. Being able to humiliate an adult is not the cure the film thinks it is, until the last scene, when a teacher adopts her. Prefer the last scene to the tricks.

The eight

  1. Industry

    4/10

    She reads. Reading is the one discipline the film respects without joking.

  2. Household

    3/10

    The parents are a warning, not a joke the film can leave alone. The teacher is the adult who finally acts as one.

  3. Piety

    3/10

    Books are the nearest thing to reverence.

  4. Courage

    6/10

    She stands up to a bully who runs a school. She also punishes, and the film likes the punishment.

  5. Republic

    4/10

    A school that is a tyranny. The remedy is one good teacher, not a reform.

  6. Temperance

    4/10

    Cruelty is the villain and, too often, the entertainment.

  7. Truth

    6/10

    The parents are accurately small. The girl is not sentimentalized into sweetness.

  8. Stewardship

    6/10

    What she is handed, at last, is a house with the right adult in it.

Live historicallyTalk about Miss Honey, not about the powers.

Movie · Prime Video · 2015

Hotel Transylvania 2

A noisy family argument about a grandchild. The love is real. The volume is exhausting.

The first joke is that classic monsters run a resort. The joke that matters is an old man who wants his grandson to repeat him. Families recognize that without the fangs. The film is too loud and too long for what it has to say, and it does say it: the child is not a second draft of the grandfather.

Fine for a family movie night if the youngest can take the noise. Ask the grandparents in the room, kindly, what they are hoping the child repeats.

The eight

  1. Industry

    3/10

    The hotel is a business, played as a backdrop.

  2. Household

    7/10

    A grandfather, a daughter, a son-in-law, a baby. The conflict is about who the child is allowed to be.

  3. Piety

    2/10

    Monsters as the in-group. No reverence.

  4. Courage

    5/10

    People cross a line for the boy.

  5. Republic

    5/10

    An extended clan that has to share one child.

  6. Temperance

    4/10

    Slapstick and a lot of it.

  7. Truth

    4/10

    The grandfather is wrong and has to know it.

  8. Stewardship

    6/10

    The question is what you hand a child: your kind, or his own life.

Live historicallyTell a grandchild one story of the family, and then let him play something that is only his.