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Film · Universal · 1963

The Birds

The Birds

43Leave it.

Not for a small child. The town never gets an explanation, and the film will not invent one.

Take controlThis scores 43. The Birds cannot be blocked by name on this shelf. The lock is the phone. Block it

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The review

She drives to a town on the coast to see a man, and the birds of the place begin to kill people. A school is one of the places it happens. I am not going to inventory the attacks. There is no explanation, and the film is proud of not having one. The pride is a craft and a limit. Craft, because a cause would have let the audience off the fear. Limit, because a weekend of fear without a meaning is a thin thing to hand a house, however well it is made.

Not for a small child, and not a dare. Older teenagers can take one viewing. Ask what the people did once they understood the street was not safe, and who they went back for. The answer is a child and a house. That is the only moral the film accidentally contains, and it is more useful than the reputation. The reputation is the attack. The attack is a device. Do not let the device be the thing you are showing off that you sat through.

Journal

Keep The Birds in the record.

No house has filed a sentence for this yet.

Live Historic number 43. Yours can differ.

The glance

Industry and Piety and Republic and Temperance and Stewardship are the thin ones.

  1. 4Industry
  2. 5Household
  3. 2Piety
  4. 6Courage
  5. 4Republic
  6. 4Temperance
  7. 5Truth
  8. 4Stewardship

Does anyone here do a real job, and does that job matter?

This phone is set for a grown person, just me. Change the ages.

Consider this

The Silence of the Lambs

49 instead of 43

The Silence of the Lambs is still a horror film, and it scores 49 instead of 43. What you gain is courage: She goes down the hall.

The eight

  1. 4
    Industry

    A town has shops and a school. The work of the film is barricading, not understanding.

  2. 5
    Household

    A mother, a younger sister, and a suitor are the household under the attack.

  3. 2
    Piety

    No reason is offered from above or from science. The silence is the design.

  4. 6
    Courage

    They go out into the street anyway, to reach a child, which is the courage.

  5. 4
    Republic

    A town is the public, and it responds badly, which is plausible and thin.

  6. 4
    Temperance

    The scare is measured and then, at the school, it is a great deal.

  7. 5
    Truth

    The film refuses a cause. That refusal is honest and also a way of not having to say anything.

  8. 4
    Stewardship

    A house inherits a fear of the ordinary. It does not inherit a meaning to do anything with.

Live historically

Ask who they went back for. If the answer is the scare itself, you watched it wrong.

Where to watch

Finding the page.

Live Historic · The Birds · 43IMDb tt0056869

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Film · Paramount · 2016

13 Hours

13 Hours

43Leave it.

A night, a compound, a political argument wearing a battle. Adults. Do not let the argument be settled by the gunfire.

Take controlThis scores 43. 13 Hours cannot be blocked by name on this shelf. The lock is the phone. Block it

Pass it on

The review

On September 11, 2012, the American compound in Benghazi was attacked and four Americans were killed, including the ambassador. The contractors at a nearby CIA annex fought through the night. That much a house should know. Michael Bay's film knows how to film a roof. It does not know how to handle a disputed record, and it does not try. Everyone who hesitates is a villain. Everyone who shoots is a truth-teller.

Adults, and even then I would rather they read two accounts than watch one bay of muzzle flash. If you do watch it, separate the bravery of the men on the annex from the brief the film is writing. Bravery is not a party. A dead ambassador is not a talking point. The film wants both of those sentences to be false. They are not.

Journal

Keep 13 Hours in the record.

No house has filed a sentence for this yet.

Live Historic number 43. Yours can differ.

The glance

Household and Piety and Republic and Temperance and Stewardship are the thin ones.

  1. 6Industry
  2. 3Household
  3. 2Piety
  4. 7Courage
  5. 4Republic
  6. 3Temperance
  7. 5Truth
  8. 4Stewardship

Is a marriage, a parent, or a child a real life here, or just a prop?

This phone is set for a grown person, just me. Change the ages.

Consider this

The Covenant

63 instead of 43

The Covenant is still a war film, and it scores 63 instead of 43. What you gain is household: A wife and a child are why the interpreter cannot simply be brave in the abstract.

The eight

  1. 6
    Industry

    Security work is a job. The film is good at the geography of a compound and bad at everything political.

  2. 3
    Household

    Wives on a laptop. Home is a screen in a safe room.

  3. 2
    Piety

    No reverence. The team is the faith.

  4. 7
    Courage

    Staying on the roof is courage. The film is right about the length of the night.

  5. 4
    Republic

    A real failure of protection. The film turns the failure into a brief for one faction.

  6. 3
    Temperance

    Michael Bay films the tracer fire as beauty. That is the wrong eye.

  7. 5
    Truth

    The night happened. The meaning of the night is more contested than the movie can admit.

  8. 4
    Stewardship

    What it leaves is heat. Heat is not a finding.

Live historically

Read one account of that night that was not made by the filmmaker, and note where they differ.

Where to watch

Finding the page.

Live Historic · 13 Hours · 43IMDb tt4172430

For this house

Keep going

The next title is the one nearest what this house keeps, then the measure where it is thin. Nothing here is a crowd. It does not leave this device.

Ask Annie