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Film · Cocinor · 1959

The 400 Blows

The 400 Blows

46Watch it awake.

Watch it awake, with an adult. The last shot is not a rescue, and the boy is not a symbol.

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The review

He is a boy in a small Paris apartment. His mother is having an affair. His stepfather is genial and useless. School has already decided he is a problem. He skips, he lies, he steals a typewriter, and the institutions take over. The camera likes him without recruiting you into a romance of delinquency. The last shot, on a shore, does not tell you he will be all right. I am not going to tell you he will be all right either.

Older teenagers, with an adult in the room. This is one of the decade's necessary films and it is not a comfortable one. Ask which adult, by name, could have changed the week with an hour of attention, and did not. The answer is several. A house that watches this and only talks about the boy's eyes has missed it. The eyes are what the adults in the film already had in front of them. Attention was the missing thing. It is still the missing thing, which is why a film from 1959 can score a living room now.

Journal

Keep The 400 Blows in the record.

No house has filed a sentence for this yet.

Live Historic number 46. Yours can differ.

The glance

Industry and Household and Piety and Republic and Stewardship are the thin ones.

  1. 4Industry
  2. 3Household
  3. 3Piety
  4. 5Courage
  5. 4Republic
  6. 5Temperance
  7. 9Truth
  8. 4Stewardship

Does anyone here do a real job, and does that job matter?

This phone is set for a grown person, just me. Change the ages.

Consider this

The Quiet Man

58 instead of 46

The Quiet Man is still a drama film, and it scores 58 instead of 46. What you gain is household: A marriage that has to be public to be real.

The eight

  1. 4
    Industry

    School is a place he is failing, and the film is specific about the classroom.

  2. 3
    Household

    A mother and a stepfather are the household, and they are distracted past the point of care.

  3. 3
    Piety

    Almost no reverence, except the film's own refusal to turn him into a lesson.

  4. 5
    Courage

    He runs. The running is a boy's courage and a boy's limit.

  5. 4
    Republic

    Reform school is the public's answer, and the answer does not look at him.

  6. 5
    Temperance

    Small appetites, a small theft. The film does not make the theft glamorous.

  7. 9
    Truth

    The adults are inadequate in ordinary ways. Nothing is heightened into a monster except the neglect.

  8. 4
    Stewardship

    A house can inherit a boy at the shoreline. The inheritance is a duty, not a mood.

Live historically

Name one adult in the film who could have changed the week by paying attention.

Where to watch

Finding the page.

Live Historic · The 400 Blows · 46IMDb tt0053198

Live HistoricSee what matters.

Film · Warner Bros. · 1933

42nd Street

42nd Street

46Watch it awake.

The rehearsal is real work, and Berkeley still turns the girls into a pattern.

Pass it on

The review

Start with the sick man, not the pattern. A Broadway director is ill, a chorus girl has to go on, and the show must not close. Ruby Keeler, Dick Powell, Warner Baxter. The rehearsal is the work. This is the picture that announced the Warner chorus line, a hit in the year King Kong led. I believed the rehearsal more than the fame.

Busby Berkeley turns the girls into a pattern. The bodies are the machine. A house can watch it, and you can say that without sneering at the dancers' job. The job is real. The pattern is the sell. Opening night is a grind. A person is not a shape you repeat until the song ends.

Journal

Keep 42nd Street in the record.

No house has filed a sentence for this yet.

Live Historic number 46. Yours can differ.

The glance

Household and Piety and Temperance and Stewardship are the thin ones.

  1. 8Industry
  2. 2Household
  3. 3Piety
  4. 7Courage
  5. 5Republic
  6. 3Temperance
  7. 5Truth
  8. 4Stewardship

Is a marriage, a parent, or a child a real life here, or just a prop?

This phone is set for a grown person, just me. Change the ages.

Consider this

San Francisco

58 instead of 46

San Francisco is still a musical film, and it scores 58 instead of 46. What you gain is piety: Tracy's priest wants the saloon king's soul, and he is not played as a joke.

The eight

  1. 8
    Industry

    The rehearsal is the work, and an ill director still has to open the show.

  2. 2
    Household

    No marriage or child is a life here; the company is only a company.

  3. 3
    Piety

    Nobody's conscience stops the night; the order is that the show must not close.

  4. 7
    Courage

    A chorus girl has to go on, and the ill director risks the show that remains.

  5. 5
    Republic

    The company owes the public a show that must not close, which is a crew's debt.

  6. 3
    Temperance

    The pattern trains you to want the next arrangement of the same bodies.

  7. 5
    Truth

    The illness and the girl who goes on are straight; the pattern makes bodies a machine.

  8. 4
    Stewardship

    A show stays open, and the dancers are left arranged as a pattern.

Live historically

Name the ill director's rehearsal before you let the Berkeley pattern be the whole story.

Where to watch

Finding the page.

Live Historic · 42nd Street · 46IMDb

For this house

Keep going

The next title is the one nearest what this house keeps, then the measure where it is thin. Nothing here is a crowd. It does not leave this device.

Ask Annie