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Film · United Artists · 1926

Sparrows

Sparrows

69Worth an evening.

A child will be frightened, and she is still the one doing a mother's work in that swamp.

Pass it on

The review

The swamp is not a playground, and I want that said before we start. Mary Pickford, a grown woman playing a girl again, leads a brood of children out of a baby farm. United Artists, 1926, a well-known hit, not the year's leader. A child can watch it and will be frightened. The farm is a prison. I am not going further into the cruelty than that.

She is the one who does the work of a mother. That is the part I trusted. I would not put this on for a small child who startles, and I would not skip it with an older one who can hear that the farm is a prison. Say the star is not a child. Then let the escape be the work. Fright is not a reason to linger, and it is not a reason to shrug.

Journal

Keep Sparrows in the record.

No house has filed a sentence for this yet.

Live Historic number 69. Yours can differ.

The glance

Temperance is the thin one.

  1. 8Industry
  2. 8Household
  3. 7Piety
  4. 8Courage
  5. 6Republic
  6. 5Temperance
  7. 6Truth
  8. 7Stewardship

Is appetite shown and then put down, or are you being trained to want the next one?

This phone is set for a grown person, just me. Change the ages.

Consider this

The Yearling

75 instead of 69

The Yearling is still a drama film, and it scores 75 instead of 69. What you gain is temperance: The boy's want is refused because the fawn eats what they have to live on.

The eight

  1. 8
    Industry

    Pickford's girl does a mother's work leading children off a baby farm.

  2. 8
    Household

    A brood of children has her as the parent the baby farm will not be.

  3. 7
    Piety

    She will not leave them in a place the picture itself calls a prison.

  4. 8
    Courage

    She risks the swamp to get children out of a farm that holds them.

  5. 6
    Republic

    Children held on a baby farm are owed a way out, and she takes it.

  6. 5
    Temperance

    The fright is the prison and the swamp, not a dare to want more harm.

  7. 6
    Truth

    The farm is a prison, and a grown woman is playing the girl who leads.

  8. 7
    Stewardship

    What she leaves the children is a way out of the farm and the swamp.

Live historically

If Sparrows is on this week, say Mary Pickford is a grown woman playing the girl, and call the farm a prison, nothing past that.

Where to watch

Finding the page.

Live Historic · Sparrows · 69IMDb

Live HistoricSee what matters.

Film · Italy · 1916

Cenere

Cenere

69Worth an evening.

A mother sees the son she gave up and leaves, so she will not ruin his life.

Pass it on

The review

She gave him up, and then she sees him again. A mother, a son, and a choice not to ruin the life he has. Eleanora Duse's only film. Italian, 1916, not an American gross. The face is why the picture was made. A house can watch it. I watched it hoping I would leave a hard meeting that cleanly, and I am not sure I would.

The leaving is the mercy. She does not spend his life to ease the meeting. That is a household doing a hard thing, not a famous face collecting a bow. The camera came for the face. I would keep the mercy. If the kids are up, the line is short: she meets him, and she will not break what he already has.

Journal

Keep Cenere in the record.

No house has filed a sentence for this yet.

Live Historic number 69. Yours can differ.

The glance

Industry and Republic are the thin ones.

  1. 4Industry
  2. 9Household
  3. 8Piety
  4. 8Courage
  5. 3Republic
  6. 8Temperance
  7. 7Truth
  8. 8Stewardship

Does anyone here do a real job, and does that job matter?

This phone is set for a grown person, just me. Change the ages.

Consider this

Enoch Arden

79 instead of 69

Enoch Arden is still a drama film, and it scores 79 instead of 69. What you gain is industry: He is a sailor, and that wrecked work is why the years pass.

The eight

  1. 4
    Industry

    Duse's face is why the picture was made, and it is her only film.

  2. 9
    Household

    A mother who gave her son up meets him and will not ruin his life.

  3. 8
    Piety

    The leaving is the mercy: she will not ruin the life he has.

  4. 8
    Courage

    She meets the son she gave up and leaves rather than break his life.

  5. 3
    Republic

    Her duty is to one son's life, not to a town or a law.

  6. 8
    Temperance

    She leaves instead of staying to spend the life her son has.

  7. 7
    Truth

    She meets him again and will not ruin the life he already has.

  8. 8
    Stewardship

    She leaves him the life he already has, and that leaving is the mercy.

Live historically

After Cenere, ask why Duse's mother leaves the son she gave up instead of staying to ease herself.

Where to watch

Finding the page.

Live Historic · Cenere · 69IMDb

For this house

Keep going

The next title is the one nearest what this house keeps, then the measure where it is thin. Nothing here is a crowd. It does not leave this device.

Ask Annie