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Film · Mutual · 1916

One A.M.

One A.M.

16Leave it.

Chaplin is drunk and alone, and the staircase, clock, and bed do the acting.

Take controlThis scores 16. One A.M. cannot be blocked by name on this shelf. The lock is the phone. Block it

Pass it on

The review

I wanted no plot and almost no people. One A.M. is Chaplin alone, a Mutual two-reeler from 1916. He is drunk. A staircase, a clock, and a bed will not cooperate. The objects are the cast. Nobody else is needed. A house can watch it. Mine did, because a feature would have been a mistake at that hour.

I laughed at the furniture. I would not tell a child that a drunk man is a model. There is no job, no marriage, no neighbor. The pleasure is one body against a room, and it ends when the reel ends. That was enough for a tired night. It is not advice for the morning.

Journal

Keep One A.M. in the record.

No house has filed a sentence for this yet.

Live Historic number 16. Yours can differ.

The glance

Industry and Household and Piety and Courage and Republic and Temperance and Truth and Stewardship are the thin ones.

  1. 1Industry
  2. 1Household
  3. 1Piety
  4. 2Courage
  5. 1Republic
  6. 2Temperance
  7. 3Truth
  8. 2Stewardship

Does anyone here do a real job, and does that job matter?

This phone is set for a grown person, just me. Change the ages.

Consider this

I'm No Angel

28 instead of 16

I'm No Angel is still a comedy film, and it scores 28 instead of 16. What you gain is industry: Circus work, fortunes, then a court: the job on screen is keeping the man.

The eight

  1. 1
    Industry

    No job is in it; Chaplin is a drunk man alone with the furniture.

  2. 1
    Household

    The room has a stair, a clock, and a bed, and no family at all.

  3. 1
    Piety

    No one else is there to stop him, and the reel never asks him to stop.

  4. 2
    Courage

    The hazards are a staircase, a clock, and a bed, not a loss he'd miss.

  5. 1
    Republic

    He owes no neighbor and no town; the two-reeler keeps him alone.

  6. 2
    Temperance

    He stays drunk so the gag works, and the reel never asks him to quit.

  7. 3
    Truth

    The objects refuse to help, and that refusal is the whole joke.

  8. 2
    Stewardship

    A Mutual two-reeler is what remains: a drunk man and some furniture.

Live historically

On a short night, run this Mutual reel and count how long he goes without another actor.

Where to watch

Finding the page.

Live Historic · One A.M. · 16IMDb

Live HistoricSee what matters.

Film · Biograph · 1911

His Trust

His Trust

16Leave it.

Blackface loyalty to a Confederate house is the Lost Cause in a reel.

Take controlThis scores 16. His Trust cannot be blocked by name on this shelf. The lock is the phone. Block it

Pass it on

The review

A Black servant, played by a white actor in blackface, stays loyal to a Confederate household through the war. Griffith, a reel, the lie in a small frame before the 1915 feature. A house can watch it and should say the makeup. I said it before the loyalty had time to look like a virtue. The loyalty is the Lost Cause. He would inflate this.

I won't score a faithful servant as mercy when the face is paint and the house held people as property. The work on screen is bondage, played as devotion. He is not given a self to owe, or a free neighbor, or a law that would end that house. What remains is a story built to grow. I won't help it.

Journal

Keep His Trust in the record.

No house has filed a sentence for this yet.

Live Historic number 16. Yours can differ.

The glance

Industry and Household and Piety and Courage and Republic and Temperance and Truth and Stewardship are the thin ones.

  1. 2Industry
  2. 3Household
  3. 1Piety
  4. 2Courage
  5. 1Republic
  6. 2Temperance
  7. 1Truth
  8. 1Stewardship

Does anyone here do a real job, and does that job matter?

This phone is set for a grown person, just me. Change the ages.

Consider this

Hearts of the World

26 instead of 16

Hearts of the World is still a war film, and it scores 26 instead of 16. What you gain is courage: War risk is the hook, staged so the audience will take a side.

The eight

  1. 2
    Industry

    The servant's labor is bondage, acted as loyalty in blackface.

  2. 3
    Household

    A Confederate household is what the loyal-slave plot exists to save.

  3. 1
    Piety

    The conscience on offer is loyalty to a slaveholding house.

  4. 2
    Courage

    Staying through the war is staged as courage and is the Lost Cause.

  5. 1
    Republic

    He is made to owe a Confederate house, not a neighbor or a free law.

  6. 2
    Temperance

    The reel asks you to admire the loyalty and to want that lie again.

  7. 1
    Truth

    Blackface and a loyal-slave story are the lie, before the 1915 feature.

  8. 1
    Stewardship

    What he leaves is a small Lost Cause frame he would inflate.

Live historically

Say blackface and Lost Cause before anyone calls that servant's loyalty noble.

Where to watch

Finding the page.

Live Historic · His Trust · 16IMDb

For this house

Keep going

The next title is the one nearest what this house keeps, then the measure where it is thin. Nothing here is a crowd. It does not leave this device.

Ask Annie