Film · Paramount · 1925
Grass
70Worth an evening.
The herds and the crossing are real; the camera belongs to outsiders.
Pass it on
The review
They cross a river and a mountain range with the herds, and the grass on the far side is the reason. Cooper and Schoedsack film the journey. A hit of its kind. A house can watch it. The crossing is real. I was glad of the grass and wary of two Americans collecting the feat as if the feat were theirs.
The Bakhtiari are not scenery. The work is the animals, the water, the range. Say the frame is still outsiders, because it is. I can respect the crossing without giving the camera the credit for having survived it. What that people reached was grass. What the picture reached was a crowd. Those arrivals are not the same.
Journal
Keep Grass in the record.
No house has filed a sentence for this yet.
Live Historic number 70. Yours can differ.
The glance
Piety is the thin one.
Can conscience actually stop someone, or is reverence only in the shot so it can be mocked?
This phone is set for a grown person, just me. Change the ages.
Consider this
Won't You Be My Neighbor?
86 instead of 70
Won't You Be My Neighbor? is still a documentary film, and it scores 86 instead of 70. What you gain is piety: The theology is in the method: a child is a neighbor, not a market.
The eight
- 9Industry
A people move their herds across a river and a mountain range.
- 6Household
The life here is a whole people traveling with the animals they keep.
- 4Piety
The drive toward grass is necessity, not a conscience stopping anyone.
- 9Courage
They risk the river and the range to reach grass for the herds.
- 7Republic
A people move together while Americans collect the journey on film.
- 6Temperance
They cross for grass to feed the herds, not to feed a crowd.
- 7Truth
The crossing is real, and the frame is still outsiders collecting it.
- 8Stewardship
What they are keeping, and what they cross for, is grass for the herds.
Where to watch
Finding the page.
Live Historic · Grass · 70IMDb